Uploaded by lftkryo on May 2, 2011
This is my chip music seminar from Revision 2011.
Abstract:
When working with a soundchip such as the SID or the 2A03, the artist faces a number of technical constraints that limit, guide and inspire the creative process. The seminar will highlight and briefly explain some of these constraints, with particular emphasis on how they influenced artists during the golden age of chip music to give rise to some of the clichés that now define the genre. We will also see (and hear) how variations of the same constraints have emerged in other genres and ages, and how composers such as Bach have tackled them in similar or different ways.
http://www.linusakesson.net/music/elements/index.php
http://www.revision-party.net/
Abstract:
When working with a soundchip such as the SID or the 2A03, the artist faces a number of technical constraints that limit, guide and inspire the creative process. The seminar will highlight and briefly explain some of these constraints, with particular emphasis on how they influenced artists during the golden age of chip music to give rise to some of the clichés that now define the genre. We will also see (and hear) how variations of the same constraints have emerged in other genres and ages, and how composers such as Bach have tackled them in similar or different ways.
http://www.linusakesson.net/music/elements/index.php
http://www.revision-party.net/
No comments:
Post a Comment